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Published to accompany a major retrospective exhibition--the first in the United States in more than 35 years and the most comprehensive ever mounted--this title showcases the pioneering work of Italian artist Alberto Burri (1915-95). Exploring the beauty and complexity of Burri's process-based works, the exhibition positions the artist as a central and singular protagonist of postwar art. Burri is best known for his series of Sacchi (sacks) made of stitched and patched remnants of torn burlap bags, often combined with fragments of discarded clothing. Far less familiar to American audiences are his other series, which this exhibition represents in depth: Catrami (tars), Gobbi (hunchbacks), Muffe (molds), Bianchi (whites), Legni (woods), Ferri (irons), Combustioni plastiche (plastic combustions), Cretti and Cellotex works.
Burri's work both demolished and reconfigured the Western pictorial tradition, while reconceptualizing modernist collage. Using unconventional materials, he moved beyond the painted surfaces and markmaking of American Abstract Expressionism and European Art Informel. Burri's unprecedented approaches to manipulating humble substances--and his abject picture-objects--also profoundly influenced Arte Povera, Neo-Dada and Process art.
Alberto Burri was born in Italy in 1915. He first garnered attention in the US in the early 1950s when his work was included in the group exhibition Younger European Painters at the Guggenheim Museum and was also shown at the Frumkin Gallery, Chicago, and at the Stable Gallery, New York. In 1977 a retrospective was presented at the University of California's Frederick S. Wight Gallery, Los Angeles, and traveled to the Marion Koogler McNay Art Institute, San Antonio, Texas, and the Guggenheim Museum (1978). He died in Nice, France, in 1995.
- Sales Rank: #602056 in Books
- Published on: 2015-10-27
- Original language: English
- Number of items: 1
- Dimensions: 11.60" h x 1.20" w x 10.00" l, 4.20 pounds
- Binding: Hardcover
- 280 pages
Review
...the catalogue accompanying the exhibition is a lodestone of information about Burri. Not only has Emily Braun, who supervised this exhibition, unearthed a wealth of information, but she has also written a substantial essay, “The Trauma of Painting,” that is wonderfully absent of academic jargon and hyperbole, making it a pleasure to read. (John Yau Hyperallergic)
In a dazzlingly researched, often eloquent catalog essay, Emily Braun, an art historian who oversaw the Guggenheim show, “Alberto Burri: The Trauma of Painting” (and is also curator of the Leonard A. Lauder Collection of Cubist Art), argues that Burri’s art is a crucial, underacknowledged link in the development of collage and assemblage and helped set the stage for a host of postwar art movements—Neo-Dada, Process Art, Arte Povera and more. (Roberta Smith The New York Times)
[Alberto Burri: The Trauma of Painting] reveals how the artist succeeded in deconstructing Western ideologies and, in that process, devised a singular language of his own. (Essential Homme)
About the Author
Emily Braun is professor of art history at Hunter College and the City University of New York. Kathleen Brunner is an independent art historian.
Emily Braun is professor of art history at Hunter College and the City University of New York. Kathleen Brunner is an independent art historian.
Most helpful customer reviews
10 of 11 people found the following review helpful.
A Superb Survey Of A Master Abstract Artist
By Tom Furgas
This incredible survey of the varied and highly inventive work of Burri is a must-have for all lovers of 20th Century abstract art. Burri was not your run-of-the-mill bon vivant slashing out abstracts as if it were a game or a hobby. These works are rooted in his painful and indeed traumatic experiences during the "great war". A medical doctor, Burri turned to art during his incarceration in a prisoner-of-war camp in Texas, and soon developed his unique style using humble materials such as burlap, tar, and, later, sheet plastics. These works reveal their inherent beauty only through careful looking and consideration. The essays in this volume are highly informative and help one to understand better the choices Burri made in developing his original and provocative art making. A very beautiful volume. Wish I could see the exhibition, but since I cannot travel to New York to see it, this book is the next best thing.
3 of 3 people found the following review helpful.
The Trauma of Painting is a Joy
By Michael M. Smith
This is one of the best books on any artist I have seen and read. Emily Braun's writing is a pleasure to read. It is precise, insightful, and clear of art world puffery and jargon. The reproductions of Alberto Burri's works are exceptional, and the graphic design of the book is superb.
Prior to receiving this book I was aware of Burri's work, but I had seen little of it and I knew next to nothing of his life. Ms. Braun does a wonderful job of situating the man and his art in the history and events that formed him. This is a book well worth reading and having. It will broaden and deepen your appreciation and understanding of Alberto Burri and the transformative power of art.
3 of 4 people found the following review helpful.
burri rules!
By Juana DeBoyce
finally. this excellent book focuses on an artist too few people know. pushing boundaries with unexpected materials -- that's the ticket!
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