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Chosen by the American Society of Magazine Editors, the stories in this anthology include National Magazine Award–winning works of public interest, reporting, feature writing, and fiction. This year's selections include Pamela Colloff (Texas Monthly) on the agonizing, decades-long struggle by a convicted murderer to prove his innocence; Dexter Filkins (The New Yorker) on the emotional effort by an Iraq War veteran to make amends for the role he played in the deaths of innocent Iraqis; Chris Jones (Esquire) on Robert A. Caro's epic, ongoing investigation into the life and work of Lyndon Johnson; Charles C. Mann (Orion) on the odds of human beings' survival as a species; and Roger Angell (The New Yorker) on aging, dying, and loss. The former infantryman Brian Mockenhaupt (Byliner) describes modern combat in Afghanistan and its ability both to forge and challenge friendships; Ta-Nehisi Coates (The Atlantic) reflects on the complex racial terrain traversed by Barack Obama; Frank Rich (New York) assesses Mitt Romney's ambiguous candidacy; and Dahlia Lithwick (Slate) looks at the current and future implications of an eventful year in Supreme Court history. The volume also includes an interview on the art of screenwriting with Terry Southern from The Paris Review and an award-winning short story by Stephen King published in Harper's magazine.

• Sales Rank: #280066 in Books
• Published on: 2013-12-10
• Released on: 2013-12-10
• Original language: English
• Number of items: 1
• Dimensions: 8.00" h x 1.26" w x 5.25" l, 1.30 pounds
• Binding: Paperback
• 560 pages

About the Author

The American Society of Magazine Editors (ASME) is the principal organization for magazine journalists in the United States. ASME sponsors the National Magazine Awards in association with the Columbia University Graduate School of Journalism.

Sid Holt is chief executive of the American Society of Magazine Editors and a former editor at Rolling Stone and Adweek Magazines.

James Bennet has been the editor in chief of The Atlantic since 2006. Before joining The Atlantic, he was the Jerusalem bureau chief for the New York Times.

Most helpful customer reviews

1 of 1 people found the following review helpful.
High Quality Writing that Sometimes Becomes a Little Too Long
By Erich Ball
I bought this as I've been doing an Article Writing course. This seemed like a good idea as it would expose me to quality articles. It did. The articles in themselves are very interesting and worth reading for their own sake. The topics are widely varied, as would be expected given that the book draws together the top articles from a variety of sources. Many articles have won awards.

The one criticism I would make is that many articles are very long, almost short stories. Perhaps I've been corrupted by the 'bite-sized' articles that are more common online and in newspapers these days but still some of these seemed very long even if they were printed in magazines. That's not to say that they were not enjoyable - very much the opposite. Just don't expect to sit and read for five minutes, then get up having completed an article.

Oh yes, they certainly did help me improve my own writing...

0 of 0 people found the following review helpful.
Five Stars
By jessica baez
Great stories. My husband used it to help him with his creative writing. A very well mix of stories.

0 of 0 people found the following review helpful.
Five Stars
By Lidia Garcia
The book was in great condition. Loved the articles.

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[G408.Ebook] PDF Ebook The Vocal Athlete, by Wendy D. Leborgne, Marci Rosenberg

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The Vocal Athlete and the companion book The Vocal Athlete: Application and Technique for the Hybrid Singer are written and designed to bridge the gap between the art of contemporary commercial music (CCM) singing and the science behind voice production in this ever-growing popular vocal style. This book is a must have for the speech pathologist, singing voice specialist, and vocal pedagogue. Heavily referenced, this text is ripe with current research on singing science as it relates to the CCM voice.

In addition to general singing science, The Vocal Athlete is the first book of its kind to address the unique vocal and physiologic demands of commercial singing from a sound scientific and pedagogical standpoint. Historical review of classical vocal pedagogy is interwoven and transitioned to current pedagogy of CCM. Anyone who trains singers will gain insight into the current research and trends regarding the commercial music artist. Specifically, promotion and maintenance vocal wellness unique to the high demands of the CCM artist are provided for career longevity. Readers are provided additional resources on the multidisciplinary roles relative to managing vocal injury for this high risk group of singers.

The Vocal Athlete distinguishes itself from other pedagogy texts by incorporating current peer reviewed literature in the area of CCM and its studio application. Also unique to this text are chapters on body alignment, traditional and holistic medicine, the lifecycle of the voice, and the physiology of belting.

The companion book The Vocal Athlete: Application and Technique for the Hybrid Singer is a practical array of vocal exercises and techniques described by experienced CCM vocal pedagogues. This book comes with a CD of the singing exercises to further enhance understanding of techniques and skills used in training these singers. These books are invaluable tools for anyone who uses or trains the singing voice.

• Sales Rank: #308492 in Books
• Published on: 2014-06-02
• Original language: English
• Number of items: 1
• Dimensions: 9.75" h x 7.00" w x .75" l, 1.23 pounds
• Binding: Paperback
• 300 pages

Review
With the publication of The Vocal Athlete, singers and voice teachers now have access to a remarkable, unprecedented collection of resources. The breadth and comprehensiveness of this two-volume set are remarkable... The phenomenon of the hybrid singer has led to the proliferation of a hybrid teacher ... Early responses suggest that this kind of teacher will find The Vocal Athlete to be an incredibly valuable resource, a compendium of some of the best and most current thinking in the field, complemented by a thoughtful review of the scientific literature. ... [The companion] workbook and CD provide both teachers and students with the opportunity to explore some of the best practices of the world s top pedagogues... --Charlie Gilbert, The SAVI Singing Actor (9/8/2014)

About the Author
Dr. LeBorgne is the voice pathologist, singing voice specialist, and director of the Blaine Block Institute for Voice Analysis and Rehabilitation (Dayton, OH), and The Professional Voice Center of Greater Cincinnati (Cincinnati, OH). Additionally, she holds adjunct professor positions at Cincinnati College-Conservatory of Music as a Voice Consultant and in the College of Allied Health. Dr. LeBorgne holds a B.F.A. in Musical Theater from Shenandoah Conservatory and both her masters and doctoral degrees from the University of Cincinnati in Communication Sciences and Disorders with a specialty in voice disorders. Her research has focused primarily on the area of the professional singing voice (specifically the Broadway Belt Voice).

Marci Daniels Rosenberg, MS CCC, is a singer, and a speech language pathologist/research investigator in The University of Michigan Departments of Speech Language Pathology and Otolaryngology. After completing degrees, in classical voice performance from Peabody Conservatory of Music and then in speech language pathology at Towson State University, she completed a research fellowship in the Voice and Speech Lab at the National Institute on Deafness and Other Communication Disorders (NIDCD) in 1996. There she received the Voice and Speech Faculty Award for Research Excellence, NIDCD. She then completed her Master s degree in speech pathology at Bowling Green State University. As a Voice and Singing Specialist, and lead speech pathologist at The University of Michigan Vocal Health Center, Ms. Rosenberg works clinically to rehabilitate injured voices. She has particular clinical interest in contemporary commercial vocal styles. Her research focuses on vocal health for the performance voice. Some of her presentations include workshops and posters at The Voice Foundation in Philadelphia in addition to numerous lectures, workshops and master classes at regional colleges and universities.

Most helpful customer reviews

2 of 2 people found the following review helpful.
The new textbook go-to Vocal Pedagogy textbook for many years to come.
By Voice Teacher
I will be using this book for my Vocal Pedagogy class in the Spring. For many years I have been looking for a book that was the right combination of Vocal Science and classical pedagogy, yet at the same time was an accessible read for the college classroom. This is the book; indeed, I have the feeling that this will become the go-to Vocal Pedagogy textbook for many years to come. The book is one of the first to address the unique challenges of the modern Contemporary Commercial Music field, but there is also an extensive chapter on the history of classical Vocal Pedagogy. This book has it all; and don't forget to buy the workbook, as well, which is full of very useful exercises for the modern voice studio, indispensable for your students as they begin to teach.

2 of 2 people found the following review helpful.
It is a great addition to any vocal pedagogy class at the collegiate ...
By Kari Ragan
This book is a remarkable resource for any singer or voice teacher interested in learning more about the many important facets of the voice. It includes information on historical pedagogy all the way through to trends and physiological facts for the contemporary singer. This book covers it all and is an incredible resource. It is a great addition to any vocal pedagogy class at the collegiate level but also accessible for the avocational singer. I will be using it as additional reading for both my graduate and undergraduate voice pedagogy class. It should be required reading for any teacher of singing OR singer who wants to learn more about the mechanics of the voice. There is also a wealth of information about vocal health and vocal hygiene. Incredibly readable and a great resource.

1 of 1 people found the following review helpful.
Very Useful
By Patricia
absolutely useful. one of the best vocal pedagogy books I have worked with. Very well written, easy to follow, quite clear explanations about every exercise. I recommend buy it with the workbook. Both are the perfect dupla.

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In 1864 Walter Bentley Woodbury introduced a process for mechanically reproducing photographs that changed forever the way the world looked at images. Aesthetically beautiful, permanent and infinitely reproducible, the Woodburytype was the first process used extensively to photographically illustrate books, journals, museum catalogs, magazines and even campaign materials. More than a century after its heyday the Woodburytype stands as a pinnacle of photographic achievement. This book traces the history of Woodbury's process from the early technology and experiments to its commercial success and domination of the illustration field, and further to attempts to adapt it to industrialized methods, and finally, to its eventual disuse. Also covered is the story of how Woodbury overcame daunting personal odds to bestow this beautiful photographic process upon the world.

• Sales Rank: #2942096 in Books
• Published on: 2007-06-30
• Original language: English
• Dimensions: 10.25" h x 7.25" w x .75" l,
• Binding: Hardcover
• 193 pages

Review
Clearly, Barret Oliver s book on the Woodburytype, one of the most beautiful and durable of all photographic processes, and the life of its inventor, is the product of exhaustive research. His extensively illustrated book displays a thorough understanding of a complicated process and its antecedents, of its place in the history of the medium, and of photographic and printing processes in general. A useful guide to identifying Woodburytypes and an extensive bibliography accompany his lucid expositions. Bravo! Gordon Baldwin, Retired Associate Curator of Photography --J. Paul Getty Museum

Oliver thoroughly researched history explains how the Woodburytype process works, why it was used for such a short time, and why it eventually disappeared in spite of its being called by photo historian J. S. Mertle the most beautiful photographic reproduction process ever invented. --Maine Antique Digest

Long overdue, this book is essential reading for scholars, historians, collectors, dealers and photographers alike. An astute and thoroughly researched account of the mechanics and history of the Woodburytype process. A tremendous contribution to the field. Julian Cox, Curator of Photography --Chief Curator of the de Young Museum

About the Author
Barret Oliver lives in Los Angeles where he works as a photographer and printer and is known for his use of nineteenth century processes. His print work has been featured in gallery and museum exhibitions, publications and motion pictures. Oliver s research into the Woodburytype grew out of an extensive working knowledge of early photographic technology and his successful experiments in reproducing Woodbury prints.

Most helpful customer reviews

141 of 187 people found the following review helpful.
This thing never ends.
By The Real
Before starting this review, I have to confess, although I once read a copy of this book, I didn't actually pay for it. Allow me to explain.

After finding an impressive, ornate wood-bound copy of "The History of the Woodburytype" (likely the only one of its kind) on a shelf in a local bookstore, I immediately picked it up and started leafing through its pages. Oddly, the curator of the establishment saw me looking through it and rushed over to tell me it was "not safe". "But it's just a history of one of the most beautiful and durable of all photographic processes, and the life of its inventor, Walter B. Woodbury!", I protested. "How can a book like that not be safe? It's not like it has flying dragons in it, or it's going to suck me into an alternate dimension where I become a part of the narrative." But he wouldn't answer.

I dug into my pocket to pay for the book but, finding only a few pennies and a green Skittle, I was brokenhearted that I wouldn't be able to dive into the fantasy world of chromated gelatin film and photo negatives, but resigned to my fate. When suddenly, something inside me took over. I left a note to the bookseller promising to return it, grabbed the book, and sprinted for the door, never looking back.

It was raining that day, as I nestled into my attic, Walter Woodbury's life and accomplishments in my lap, eating my PB&J and apple my mother had packed for me. I followed Walter from Australia to the Far East, from Java and back to London, almost hoping that this was a story that would never end. As I reached the final page, lo and behold, Walter B. Woodbury called out my name within the volume I held in my hands!

"You! Reading this!" he said; "I say, my world of photographic processes and Far East travels is dying, my dear boy! The only way to save it is to give me a new name."

"BUT THAT'S IMPOSSIBLE!" I yelled, to no one in particular.

"Please, my good man! If you don't speak my new name, I shall wither away to 19th Century obscurity!"

I began to believe. I rushed to the attic window, flung it open, and yelled "MOON CHILD!" I into the misty night air. But nothing happened. I began shouting MOON CHILD! at the top of my lungs, over and over, for the next 18 hours consecutively. Finally, sirens began to blare below me. My neighbors had called the police after hearing a delusional lunatic screaming all through the night.

Long story short, don't buy this book. It's a riveting account of the life and achievements of one of photography's greatest pioneers, but it will make you into a petty thief and then hallucinate really badly, and you might possibly wind up in the drunk tank.

28 of 36 people found the following review helpful.
Excellent, Unique Study
By Carl Mautz
Clearly, Barret Oliver's book on the Woodburytype, one of the most beautiful and durable of all photographic processes, and the life of its inventor, is the product of exhaustive research. His extensively illustrated book displays a thorough understanding of a complicated process and its antecedents, of its place in the history of the medium, and of photographic and printing processes in general. A useful guide to identifying Woodburytypes and an extensive bibliography accompany his lucid expositions. Bravo!

Gordon Baldwin, Associate Curator of Photography, J. Paul Getty Museum

I have had time only to skim through it, but may I say what an impressive volume it is! And the publication itself is beautifully done. Congratulations!

Alan Elliott, Woodbury Scholar

Long overdue, this book is essential reading for scholars, historians, collectors, dealers and photographers alike. An astute and thoroughly researched account of the mechanics and history of the Woodburytype process. A tremendous contribution to the field.

Julian Cox, Curator of Photography, High Museum of Art, Atlanta

Oliver thoroughly researched history explains how the Woodburytype process works, why it was used for such a short time, and why it eventually disappeared in spite of its being called by photo historian J. S. Mertle "the most beautiful photographic reproduction process ever invented." Maine Antique Digest

See all 2 customer reviews...

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• Sales Rank: #91021 in Books
• Published on: 1964-10
• Dimensions: .40" h x 5.30" w x 7.90" l, .25 pounds
• Binding: Paperback
• 79 pages

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• Published on: 2005-01-19
• Binding: Paperback

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[Q692.Ebook] Ebook Download The School for Good and Evil: The Ever Never Handbook, by Soman Chainani

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Wish you could go to the School for Good and Evil? Now you can! Join the ranks of heroes and villains who have walked these hallowed halls and mastered what it takes to be placed in their own fairy tales with The Ever Never Handbook.

Soman Chainani’s New York Times bestselling series (The School for Good and Evil, A World Without Princes, and The Last Ever After) comes to life in this handbook full of everything students need to learn in order to survive their own fairy tale—from dress codes and school rules to alumni portraits, kingdom maps, and much, much more.

Every year, students flock to the School for Good and Evil, ready to prepare for life in a fairy tale. The highest-ranked students become the heroes and villains of the fairy tales, while the lowest end up enchanted animals or plants (if they’re lucky, that is).

This handbook is a personal guide to help students to the top of their class—from surviving Uglification, to picking your own sidekick or henchman, to earning a part in the yearly school musical, and so much more. And of course, it’s in glorious full color and duotone because in the School for Good and Evil, very little is black-and-white.

• Sales Rank: #16071 in Books
• Published on: 2016-07-12
• Released on: 2016-07-12
• Original language: English
• Number of items: 1
• Dimensions: 8.25" h x .98" w x 5.50" l, .0 pounds
• Binding: Hardcover
• 304 pages

From the Back Cover

Welcome to the School for Good and Evil! The greatest of heroes and villains have come through our classrooms before they ventured into the Endless Woods to find their stories . . . and now you will join their ranks.

Use this handbook as a guide to help you navigate through your years at school. Everything you need is inside: what to bring, what to wear, and most importantly, how to stay out of the Doom Room. Here, you’ll learn about your classes, meet your professors, and get an inside look at our first-year traditions like the Trial by Tale, the Circus of Talents, and the Snow Ball. And should you need advice, you won’t have to look far for role models: our most illustrious alumni are here to help

Evs and Nevs! Forget this official stuff—I’ll tell you everything you really need to know to survive and all the good stuff the teachers won’t tell you.. Plus, I have the secret scoop on Sophie, Agatha, and Tedros. . . .

Meet me inside!—Hester

Experience the School for Good and Evil like never before with this must-have companion to the bestselling series. Glorious illustrations invite you to pore over maps, see characters for the first time, and get an inside  look at what it’s like to be a student at the most enchanted school of all.

About the Author

Soman Chainani’s  first novel, The School for Good and Evil, debuted on the New York Times bestseller list, as did each of its two sequels, A World Without Princes and The Last Ever After. The series has been translated into over twenty languages across six continents and will soon be a major motion picture from Universal Pictures.

As a graduate of Harvard University and Columbia University’s MFA Film Program, Soman has made films that have played at over 150 festivals around the world, and his writing awards include the Sun Valley Writers’ Fellowship.

When he’s not telling stories or teaching in New York City, Soman is a die-hard tennis player who never lost a first-round match for ten years . . . until he started writing The School for Good and Evil. Now he loses all the time.

You can visit Soman at www.somanchainani.net.

Most helpful customer reviews

1 of 1 people found the following review helpful.
Loved it!!!
By traci tempesta
My 11 year old loved it. After reading this she went back and read the series again!

5 of 6 people found the following review helpful.
AN ENTHUSIASTIC REVIEW OF THE EVER NEVER HANDBOOK
By William Pasquale
**THIS IS ELLIE’S SPOILER-FILLED RAMBLE SO**

**BEWARE**

**THERE ARE TONS OF SPOILERS AHEAD**

**READ AT YOUR OWN RISK**

**NO, BUT SERIOUSLY**

**DON’T GO ON IF YOU HAVEN’T READ THE HANDBOOK**

**THIS IS YOUR LAST CHANCE TO TURN BACK**

**I’M NOT KIDDING**

**OKAY, DON’T SAY I DIDN’T WARN YOU**

Oh. My. Goodness.
I recently finished The Ever Never Handbook, and I’m still grinning like a total dufus. The book, engulfed in vibrant color and bursting with a familiar sort of magic, completely blew me and my (rather high) expectations away. I’d anticipated this novel so much over the past year I was a little nervous I would somehow be disappointed by it because of how much I built it up in my head, but I was

so wrong

.
Michael Blank’s illustrations are jaw-dropping and absolutely gorgeous. The student portraits inked out the characters I’d spent years imagining on my own and GOSH were they beautiful and perfect. The picture of Sophie’s new School For Evil actually made me gasp because the color practically glowed on the page. The illustration of Tedros’ arrow nearly piercing Agatha was definitely one of my favorites, depicting a moment from book 1 that really stayed with me the past couple years. The pictures of Nymphs, Fairies, Crogs, Spiricks, and Stymphs were spellbinding, terrifying, and whimsical all at once. Oh, and how on earth could one forget the GLORIOUS comic strip portions written by Hort? I could so easily imagine him writing and drawing every part of it, and it made me giggle so terribly hard.
And in addition to the lovely art, Soman’s--and Ami’s--writing was simply AMAZING. I’ve never been so captivated by a Course Catalog! The FAQ section was so exciting and humorous, and having Hester shove letters between the pages was such a clever idea. It was also a bit relatable, since I have an awful habit of slipping important notes, permission slips, and study guides into my books. “An Ever Never Roundtable” was SO. FREAKING. GOOD. I felt as if I were meeting up with a group of old friends as I heard them banter back and forth. It reminded me how much each character has grown through the series and honestly why I love each one. I never expected the Handbook to make me emotional… but it did. Quite a lot.
Now my copy is adorned with various small post-it-note sort of contraptions, marking some of my favorite parts. They include things like the hilarious idea of someone possibly using the storian as liquid eyeliner *cough SOPHIE cough* and the supossed Into The Woods reference when Sophie saids “Greens. Greens. Nothing but greens,” (pg. 137). Not to mention when Sophie guessed I was Agatha in a quiz or her perfect song “Some Girls”. Oh, and the AWESOME part where not only did Agatha write to Hester, but also reveal in her letter that she, Tedros, and Sophie were frequently corresponding. What about when Sophie admitted to Hort she remembered their dance or when Tedros perfectly explained how he and Agatha wouldn’t be having kids anytime soon? What a relief. Oh, and the explosive discovery that a new student named Nicola will soon be arriving to the schools, unaware she’s destined to save them? Couldthispossiblybetheplotofthesecretbook?
Overall, I experienced a rollercoaster of emotions today and am so grateful I got to. To Soman Chainani, Ami Boghani, and Michael Blank--thank you. Thank you

so

much for creating such a wonderful book and such an magical world your readers can immerse themselves in. I could never imagine my life without the SGE series or the awesome community behind it.
-Ellie

2 of 2 people found the following review helpful.
Awesome!!!!!!
By Gabie Kim♥books
I loved it!!!! Really loved it. The perfection! The handbook is nothing you will expect. The color, portraits, the heroes' whereabouts, humorous FAQs, uniform through the ages and more! And I think it gives a little hint about the new-top-secret-series (if my guess is right). Much better than I EVER expected. Even the back cover is interesting. We can even read about the Ever-Never Roundtable, which contains Sophie, Hort, Hester, Anadil, Dot, Kiko, Beatrix, Chaddick and Reena. And the last page!!!! Read this book. Buy it at the nearest bookstore. Like, right now. It was totally worth the money.

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[E207.Ebook] Ebook Free Focus on Grammar, A BASIC Course for Reference and Practice, Second Edition, by Irene E. Schoenberg

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Focus on Grammar, Second Edition, is a four-level grammar series written by practicing professionals. The series focuses on English grammar through lively listening, speaking, reading, and writing activities. In order to learn the formal rules of a language, students need to practice new structures in a variety of contexts to help them internalize and master them. To This end, Focus On Grammar provides an abundance of both controlled and communicative exercises so students can bridge the gap between knowing grammatical structures and using them. The many communicative activities in each unit enable students to personalize what they have learned.

• Sales Rank: #982391 in Books
• Published on: 1999-12-15
• Original language: English
• Number of items: 1
• Dimensions: 10.90" h x .69" w x 8.20" l, 2.12 pounds
• Binding: Paperback
• 455 pages

From the Back Cover

Clear, communicative, and teachable, Focus on Grammar: A Basic Course for Reference and Practice provides enough context, practice, and interaction to make any classroom come alive.

Focus on Grammar features:

• Clear visual presentation of grammar
• Concise grammar explanations
• Fully contextualized grammar presentation and practice in all four skills
• Controlled and communicative practice
• Comprehensive review tests including TOEFL¿ Test-style questions
• From Grammar to Writing sections included in all levels
• New information gap activities throughout each book

The Focus on Grammar series is a five-level course, Introductory through Advanced.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Good product,
By Juan José Reales
Good product, excellent

0 of 0 people found the following review helpful.
Good
By Natchanok Jewwaiworn
Book is good and new one. It's cheapest that the one i got. I love it and will order another book

9 of 10 people found the following review helpful.
Content-based and with lots communicative tasks
By A Customer
This series provides well-designed grammar books in real Communicative-language-teaching approach. This course book has both clear and user-friendly grammar reference and a lot of interesting skill-building practices. It helps learners to practice grammar in controlled exercises and communicative tasks. The tasks are similar to what learners may encounters in real life, and some of them require oral negotiation during the problem-solving process. Thus, this material help learners to use English in carrying out tasks in real life. Unlike traditional structural-based and drill-focused grammar books, this material allows learners to practice and use grammar in a social context, so it is very suitable for EFL or ESL classrooms, but not for individual learning. The outstanding features of this grammar series are as follows: 1. The methodological emphasis on retrospective approach to grammar. For example, learners encounter the focused grammar structure (usually highlighted) in a reading passage or a dialogue in the first section. Then, they will read the explanation of that grammar usage in the second section. Examples are always included in the explanation, so it is easy to understand and remeber the grammar usage. 2. Instruction-friendly design: model dialogues or passage, explicit explanation of grammar, and ready-for-use tasks are provided 3.A good grammar companion to any other course book: units are arranged according to grammar categories, so learners can practice what they need. 4.Well-designed and interesting skill-building exercises. Some are task-based exercises and allow learners to practice grammar in real communication. 5. Focus on content. Wide-range of interesting subject matters in the presentation and practices. Usually, all ofthe exercises/tasks within one unit deal with the same grammar structure (e.g. passive voices)through the same content topic (e.g.naming) Sometimes, the topics of several units are related when these units deal with related grammar structures.

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